Sandra Furman

Safekeeping by Sandra Furman

Sandra Furman (Buenos Aires) is a glass artist whose work explores everyday objects, particularly miniatures. Since 1995 she has researched multiple glassmaking techniques, more recently incorporating 3D printing into her practice. She has trained with prominent international artists and exhibited widely in Argentina and abroad, including the Ibero-American Glass Biennial and the Alcorcón Glass Museum in Spain. Her work was selected for New Glass magazine (USA, issue #43).

Sandra Furman photo

www.sandrafurman.com
@sandrafurman.artglass

Yaron Meyer

Impact #1 Classic Distorted by Yaron Meyer

Yaron’s work is inspired by the intricate relationship between nature and the human connections that exist within it. Through his glass sculptures and installations, he explores this complexity while pushing the boundaries of context, scale, colour, and function.

Born in Jerusalem, Yaron Meyer earned his Bachelor of Fine Arts (BFA) from the Bezalel Academy of Arts and Design in 2018. During his studies, he received an Excellence Award that enabled him to attend a summer course at Pilchuck Glass School in 2016, and he also took part in an exchange programme at the Massachusetts College of Art and Design that same year. In 2023, he completed an MA in Glass at the Royal College of Art in London, supported by a scholarship from the Clore Foundation.

Yaron Meyer photo
Impact #2 Roman Smash by Yaron Meyer
Impact #2 Roman Smash

Yaronglass.com

Trait d’Union (Carla Dos Santos / Natacha André)

LES 90 n°3, glass pâte and crystal, 15 x 15 x 3 cm by Trait d'Union

Trait d’Union brings together the friendship and complementary expertise of Carla Dos Santos and Natacha André. Their creations draw on a range of artistic movements and iconographies, favouring clean lines and minimalist ornamentation — decorative pieces full of character that blend into both historic and futuristic spaces

Trait d'Union photo
LES 90 n°4, glass pâte and crystal, 15 x 15 x 15 cm by Trait d'Union
LES 90 n°4,
glass pâte and crystal, 15 x 15 x 15 cm

 www.traitdunion-artisans.fr

Tanja Theunissen

Not Feeling Blue by Tanja Theunissen

Tanja T. works in the Graal technique, layering blown and engraved glass to build colour and depth from the inside out. Drawn to the optical tension of transparency and overlap, she pushes traditional engraving toward a contemporary language, work that keeps revealing itself the longer you look.

Tanja Theunissen photo
Into Bloom by Tanja Theunissen
Blossom
diameter: 19 cm

tanjat.nl
@tanjat.glass

Jitka Skuhrava

The Frost Block - Folio, hand-cut red glass, 20 x 6 x 45 cm by Jitka Skuhrava

Jitka Skuhrava is a Czech glass artist with more than 30 years of experience. After graduating from the Academy of Arts, Architecture and Design in Prague, she has focused on glass sculptures and architectural installations under her own brand, completing numerous lighting projects for prestigious contemporary spaces over the past two decades. Trained in both hot and cold glassmaking techniques, she began her artistic journey with glass engraving, a practice she continues to develop through engraved and cut glass works.

Jitka Skuhrava photo
The Frost Block - Mountain Storm, hand-cut and engraved glass, 20 x 6 x 40 cm by Jitka Skuhrava
The Frost Block – Mountain Storm,
hand-cut and engraved glass, 20 x 6 x 40 cm

www.jitkaskuhrava.com
@jitka_skuhrava

Jean Thébault

Amorphous Crystals, glass and recycled glass dust, 30 x 25 x 15 cm by Jean Thébault

Jean Thébault (b. 1985, Lorraine) began learning glassblowing in 2007, training at Cristalleries Baccarat and the CERFAV glass school. He moved to Denmark in 2012, earning a Bachelor in Art from the Danish Design School in Bornholm (2016), and managed Glasmuseet Ebeltoft from 2017–2021. His work has been shown in Denmark, Sweden, England, Japan, France, Germany, Czech Republic and Bulgaria. He now runs JANO-GLASS in France, with a practice inspired by geological cycles and natural processes such as volcanism and erosion, exploring glass as a metaphor for sustainability.

Jean Thébault photo
Amorphous Crystals, glass and recycled glass dust, 30 x 25 x 15 cm by Jean Thébault
Amorphous Crystals,
glass and recycled glass dust, 30 x 25 x 15 cm

@jano.glass

Francisca Snel

CrystalClear, glass and copper, 17.5 x 30 cm by Francisca Snel

Francisca Snel (1982, the Netherlands) is a glass artist and product designer based in Friesland. Driven by curiosity and a fascination for complexity, she explores the relationship between concept, material, and transformation. Glass is the central medium of her practice, approached as a contemporary craft through collaborations with master glassblowers.

Her hand-blown sculptures combine material experimentation with reflections on value, labour, and care. Her signature works transform everyday objects, such as copper scouring pads, into colourful glass symbols. Her work has been featured in publications including VT Wonen Design and Glass Magazine for Friends of Modern Glass. She has been twice nominated for the Cor Unum Design Contest. Her glass installation Glashelder has been exhibited at Root Gallery and other venues. In 2026, she presented a new installation at Museum Dr8888, which entered the museum’s permanent collection. She graduated in Product Design from the Willem de Kooning Academy in 2023 and continues her research-driven practice from her studio in the Netherlands.

Francisca Snel photo
CrystalClear, glass and copper, 17 x 28.5 cm by Francisca Snel
CrystalClear,
glass and copper, 17 x 28.5 cm

www.franciscasnel.com 

@francisca_snel 

Caro Landau

Owens Halite Large, glass, 21,5 x 16,5 x 10 cm by Caroline Landau

Caro Landau (she/they b.1991) is a queer, multidisciplinary artist based in Oakland, California. They hold a BFA in painting, drawing and printmaking from Carnegie Mellon University (2013) and an MFA from the San Francisco Art Institute (2016). Their practice centres on site-specific mold-blowing to capture the texture of wood and ice in nature. Their work has been shown in New Glass Now at the Corning Museum of Glass (2019), Venice Glass Week (2023) and Corning’s New Glass Review 43 (2023), among others. They are part of the GeoSynchrony Artist Collective.

Caroline Landau photo
Svalbard Ice, glass, 24 x 20,5 x 9 cm by Caroline Landau
Svalbard Ice,
glass, 24 x 20,5 x 9 cm

www.carolandau.com
@caro.landau

Sarah Matthys

The Cube | Lamp, Glass by Sarah Matthys

Bruges-based glass designer sarahm discovered the magic of glass 15 years ago. As a student of glass artist Marcel Vlamynck, she explored blowing, fusing, lampworking and casting. Her instinct for colour, combined with a desire for volume and light, gradually shaped her signature Cubes and Objects.

photo Sarah Matthys
Object series Transparent and opaque glass by Sarah Matthys
Object series,
transparent and opaque glass

 www.sarahm.be
@sarahm.color